Events and outreach: if you’re a new or prospective student of book publishing, chances are you’ve come across this term once or twice when looking into the program or researching the publishing industry in general. The term itself can be a bit vague, since it can encompass a lot of things. I didn’t know exactly what it was either when I first started at Ooligan. At the time, I knew it had something to do with a conference, and since I’m an avid convention goer, that was enough to hook me in. But once I started working with the team, I got a better sense of what it was, how important it was, and what it meant to be a part of it.
There are a lot of things that can make a book unreadable: the content, the prose, the plot holes. The list could go on and on. For me, nothing makes a book more difficult to read than badly justified type.
While the first webcomics began popping up in the mid 1980s, the medium exploded in popularity starting in the mid-to-late 1990s. Numerous long-running series got their start around this time, many of which are still going strong over twenty years later.
Reviews are an important part of marketing a book, but how do you get those reviews?
Communication across the world is at an all-time high, and it’s as important as ever that we have clear, concise writing to convey ideas. Good editors who localize text quickly and accurately are in demand, and if you want to add another set of skills to your resume, just follow the guidelines below.
As a new publishing student getting my first introduction to the acquisitions process at Ooligan, I can’t help but feel a bit traitorous at the prospect of contributing to more of those infamous letters. If there is one thing I can say that might benefit a talented author who just isn’t the best fit for Ooligan right now, it’s that the rejection often has nothing to do with measuring an author’s skill. Instead, it might simply be a matter of not being in exactly the right place at the right time.