I have a confession: I hoard books. I know the problem is bad because my cat keeps knocking over the teetering “to read” pile on my nightstand. Over the years, I’ve gotten some books I think are pretty cool, and I became curious about how much my collection was actually worth. Through a chat with the friendly folks in the Rare Book Room at Powell’s, I got a better idea of what collectors look for and what gives used books value. When I got home, I grabbed my copy of CHOKE by Chuck Palahniuk and put my lessons to the test.
The process of publishing Ooligan’s second title from the Multnomah County Library Writers Project continues! IDITAROD NIGHTS by Cindy Hiday will launch in April 2020, and we can’t wait for you to read it. This action-packed romance takes place in Alaska and follows a budding relationship between Claire Stanfield and Dillon Cord, two mushers racing on the Iditarod Trail.
As a culture, we are growing more inclusive every day, but not all young readers grow up in the same environment. Not every town offers good examples, not every family is understanding, and not every book teaches the same thing. When you’re marketing a novel to a young adult readership, it is important to understand that while the internet is a map to nearly every young reader, it can also be the thing that destroys a novel.
I’m here to confess to my comma-splicing crimes and help everyone else who’s guilty of comma splicing learn the error of their ways before it’s too late. Just kidding—it’s never too late to learn something new or relearn something old.
When you walk into a bookstore, unless you are on the hunt for a specific release or beloved author, generally an enticing book cover will draw you over to a particular selection. Maybe you notice the bold typographical choices, the striking illustration, the contrasting colors. While you’re admiring the feat of creativity in your hands and considering whether you’re willing to invest in the content within, do you think about the human responsible for the interesting cover?
More and more writers are becoming published authors. Some start with blogs, writers’ groups, and lifelong dreams. Traditional publishing can be difficult to break into, especially if you’re not already an established author. So how are new authors getting their books into the competitive market without an agent or a supportive publishing house?