As I sit on the MAX on my way into Portland, I flip through the pages of my beat-up copy of Walt Whitman’s Leaves of Grass. Every few stops, I find myself glancing up from the pages to look around at the passengers who are coming and going from the train on its way into the city. I notice an older man is fast asleep while the woman next to him stares out the window, a mother reties her son’s shoes, and a young man in a college hoodie taps his feet to the beat of whatever tune must be playing in his headphones. While I flip another page, I notice that I’m the only passenger in the car who is reading a book, while the majority of other passengers keep their eyes glued to their phones.
In today’s increasingly digital world, there is no shortage of tips and tricks for writers (think of online grammar checkers like Grammarly). But what about digital tools for editors? In addition to the obvious editing and query tools found in Microsoft Word, it turns out that macros can be incredibly useful tools for editors.
Do we, the storytellers, have a responsibility to warn our audience about subject matter that could cause that kind of distress? That’s right. I’m talking about trigger warnings.
Have you finished writing your book and want to make it into an ebook but don’t even know where to start? Start here! In this post, I will define some common terms and link to some resources where you can learn more.
Nonfiction sales have been on the rise as of late. As book publicists, we must embrace current market trends and learn how to use them to our advantage.
In the face of modern challenges like widespread digitization and shifting priorities in higher education, university presses are getting creative in their efforts to promote their books and connect with readers.