Ooligan Press is excited to announce FAULTLAND by Suzy Vitello, coming March 30, 2021. This near-future speculative-fiction novel is grounded in family drama between heartbreakingly human characters.
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Iditarod Nights will be the first romance published by Ooligan. It’s wonderful to blaze a trail, but what does this mean in practice? How can you market a book with no prior contacts and little experience in the genre?
Ooligan Press is excited to announce our newest YA novel, LAUREL EVERYWHERE by debut author Erin Moynihan, set to launch November 10, 2020. LAUREL EVERYWHERE is an intimate depiction of the grief and mental-health issues often experienced with the loss of loved ones. The novel highlights complicated family relationships in the wake of tragedy: Laurel grapples with her own feelings of loss while her father spirals into a deeper depression, requiring a long stay in a hospital that specializes in grief. Although much of the book focuses on grief, loss, and mental health, LAUREL EVERYWHERE is also a story of survival, love, hope, and friendship. Follow Laurel on a journey of self-discovery, self-healing, and growth as she learns that sometimes it’s okay to not be okay.
The process of publishing Ooligan’s second title from the Multnomah County Library Writers Project continues! IDITAROD NIGHTS by Cindy Hiday will launch in April 2020, and we can’t wait for you to read it. This action-packed romance takes place in Alaska and follows a budding relationship between Claire Stanfield and Dillon Cord, two mushers racing on the Iditarod Trail.
The excitement of a book launch is a motivator for a lot of us in the publishing industry. Often years of work go into a book, and the high of finally seeing it out in the world is tough to match in one’s professional life. Yes, there’s a lot of stress that comes with such an occasion, but it’s so very worth it.
Our May 2020 title faces down its darker elements—including violence, bigotry, and abuse—with both unflinching realism and hope. Importantly, it portrays the struggles of two main characters who fall under the LGBTQIA+ umbrella. Because these identities do not exist as a monolith, and also because this is a book intended for a YA audience, Ooligan chose to incorporate authenticity readers (sometimes called sensitivity readers) into the editorial process.