One of my favorite aspects of being a manager of Ooligan’s editorial department is the short class we hold every Wednesday. We cover various roles that an editor plays and tasks that they may be expected to complete. During one of these classes, a fellow Ooligan student asked me about other classes they should consider taking if they want to pursue a future in editing. My answer was quick and to the point: design.
If you’re of the bookish persuasion (and if you’re reading this blog post, the odds are probably good), you may also be of the mappish persuasion: when you pick up a book and discover it contains a map, a little piece of you erupts in excitement over this double-page spread that promises a literary quest is waiting inside.
With the help of the project managers, we are working to ensure that no important work is lost going forward. And like Nancy Drew, we will investigate the whereabouts of those old missing files.
Frances: While siblings are always a disappointment, your friends are not—especially when you get to work with them. And at Ooligan Press, we have been increasing the amount of projects we collaborate on, so being able to successfully work with others is a key part of the program. There are two publisher’s assistants, so obviously […]
Design introduces. It’s the first impression, the make-or-break handshake, and the direct eye contact of a product. If things go well, design might wine and dine you, and before you know it, you’re ordering dessert. Because when design does its job well, the transitions are smooth and the experience is effective. For books, the primary […]
After almost three terms as the editorial assistant for Ooligan Press, I have become accustomed to the compulsory blank stare that results from hearing the term “light copyedit” when discussing blog posts and the importance of maintaining an author’s voice and intent. For some floaters, or volunteer editors, this glazed-over expression is a sign of […]