It’s no small wonder that the words “metadata management” can be overwhelming to anyone unfamiliar with what exactly that job entails; this is especially true in the publishing world, where all we want to do is help people tell their stories and get those stories into the hands of readers who will love them as much as we do. We love bookshops, and shelves upon shelves of beautiful covers and clever titles, and perusing Powell’s and reading their “Staff Picks” at our leisure. But we also have to be realistic: a growing majority of today’s readers just don’t have time to browse indie bookshops on a regular basis for their next epic tale, memoir, or anthology. Today’s audience does much of their browsing (gasp) ONLINE.
Growing up around this library program and watching it flourish over the years inspired me to take a deeper look at young adult programs in libraries for my thesis. How have they developed over the years? What makes them “successful,” and what defines success? How are librarians identifying and then meeting their communities’ needs?
Sometimes when a story breaks the traditional rules—by, for example, skipping around in time or being told by more than one narrator—the conventional layout of a book interior is not enough: visual design is necessary to help it make sense.
Once upon a time, maintaining your portfolio meant taking hard copies to an interview or attaching them with your application. However, today most publishing employers prefer portfolio websites so they don’t have to worry about hanging on to (or worse, losing) the multitudes of work they receive from each candidate. But those of you who haven’t spent much time coding or building websites are likely wondering: Where do I begin? Well, look no further. Here are some tips to get you started.
Ooligan Press is proud to announce our upcoming title: the thought-provoking, skin-crawl-inducing, non-cannibalism-condoning novel Odsburg by Matt Tompkins, to be released October 29th.
Becoming a conscientious objector isn’t simply saying no to war and walking away. It’s a complicated decision shrouded in public shaming, and for Rosa, a decision not made lightly. Her memoir gives us a glimpse into the female military experience and the effects 9/11 had on our young recruits.