A line edit typically occurs between developmental editing and copyediting, and it’s a sort of transition between making large structural changes and perfecting the mechanics of the language. Not every manuscript needs a line edit, but a line edit would likely enhance most manuscripts because its primary focus is not on perfecting the language but on elevating it.
Research is an important aspect of writing, often prompting authors to reach out to experts in the topics they are writing about. But things start to get complicated when we talk about fiction.
Editors must consider and balance the feelings of two groups of people when suggesting language changes: firstly, they must consider how the reader will react to the language of the original manuscript; and secondly, they must consider how the author will respond to the suggested edits.
Writing a story takes blood, sweat, and tears, and the process of revising one’s own work takes time and dedication. All this hard work culminates in a promising manuscript, but in order to achieve the most success, a manuscript needs the attention of a professional editor. To receive the best editing, it’s important to know what to ask for—and that requires knowing the levels of editing offered.
Though style sheets can seem confusing at first, they are among the most important tools at a copyeditor’s disposal. As long as you keep your style sheet organized and record all of your decisions related to mechanics and style, you should be all right. (Or is it “alright”? Better check the style sheet.)
For grammar experts and novices alike, compiled here is a short list of books dedicated to presenting the particulars of the English language in an accessible, engaging, and fun (yes, fun!) way.