Beginner designers are like babies: we use our C.R.A.P. and spread it around to see how it looks. But when we grow into the creative professionals that we want to be, we can make so many different types of C.R.A.P.
It isn’t easy to find fonts that go together and that suit your book, and there are some challenges and rules to keep in mind. But as difficult as this process may be, it is also a lot of fun and a great opportunity to let your creativity shine.
If making your fictional world feel real is a goal, consider creating “found documents” and ephemera to bring it to life.
Typeface designers and font creators who wish to protect their work from plagiarism will find that the intellectual property laws for typographic design differ slightly from laws geared toward writers. Copyrights, patents, and trademarks are some of the ways in which type designers protect their work from plagiarism.
After you decide on basics such as the length, the size, and the audience, you need to think about the whole look. Fear not! Higher standards can easily be met. Design is a big part of making your efforts look professional. Although booklet design is more than just picking a fitting cover image, it doesn’t have to be onerous or complicated, and it doesn’t even have to require specialized software such as InDesign.
Whereas fine art (such as illustration) looks inward by asking the viewer to see the artist behind the art, graphic design looks outward by asking the viewer to see the art and go do something because of it. While these two concepts overlap in places, the purpose of each is very different.