While I’ve read and continue to read numerous books on the art of editing and writing, I find myself most frequently leaning on an editing tip that was thrown at me way back in high school. Read it out loud.
Remember that a manuscript is the result of a writer’s blood, sweat, and tears. Unless they’re lucky to be full-time writers, authors are usually people working a nine-to-five job and have to write during their lunch breaks or stay up late into the night writing after their children have gone to bed. They’ve sacrificed their energy, time, and social life to write a book, and if a query is not handled well, they could see it as an attack on them and not as constructive feedback.
Personal branding, especially as a writer, is complicated, confusing, and—unfortunately—completely necessary. While your presence and brand online aren’t the only factors that contribute to your publishing dreams or successes, your personal brand does have a huge impact on how both readers and publishing professionals alike will see you. We’ll let you in on a little secret: you’re easy to find on the internet. And yes, we do check.
Numerous instructors of writing share the same advice when it comes to editing: resist the urge to edit while you write! Just get your ideas out, flesh them out, and worry about the fine points of editing later. But despite the numerous voices in your head and from those around you pleading for you to resist the temptation, is this really the best advice in any and every situation?
Why does everything someone writes have to be entirely original anyway? Writing is fun and it’s a craft one must practice to master.
If that’s the case, why does nonfiction allow something as unreliable as memories? The idea is that the writer is truly recounting the memory, not whether or not it actually occurred. The experience is born out of the memory of the event. A memoir is a recounting of memory. It has to be a truthful recounting of only what’s remembered and what is researched.