William Faulkner said, “In writing, you must kill all your darlings.” A good editor knows that this process is sometimes painful to the author because their words are their babies. How, then, is an editor to approach nonfiction trauma manuscripts when an author’s words are their nightmares?
writing
Writing Alt Text for Ebooks
By Megan Crayne @megancrayne
Alternative text, or alt text, is different from including a caption for an image in your book; it is a clear description of what is taking place in the image so that readers who use voice-to-text software can understand its context. Used commonly on websites, alt text can be easily built into your InDesign document for all of your images before you convert your book into an EPUB—and here is how to write it.
Authors at Home
By Amanda Fink
In light of the stay-at-home orders that most of the world is currently following, authors have brought literary salons––places to explore ideas, share stories, and gain insight into the writing process––to Instagram. By allowing us into their writing spaces, these authors are giving us a rare, uncensored look into their lives. Sharing these spaces allows us to refill our creative wells through conversation and a shared love of books and writing.
Giving Your Fiction a Sensitivity Read
By Tia Sprague
Research is an important aspect of writing, often prompting authors to reach out to experts in the topics they are writing about. But things start to get complicated when we talk about fiction.
How to Edit Your Own Short Story
By Claire Meyer
Finding an editor can prove difficult and expensive, but if you go about it with tact and strategy, editing your short story yourself might yield good results. Though editing can be exhausting, there are a few strategies I find helpful when I write creatively.
Know Better, Do Better: Editing for Authenticity in Our Spring YA Title
By Hazel Wright
Our May 2020 title faces down its darker elements—including violence, bigotry, and abuse—with both unflinching realism and hope. Importantly, it portrays the struggles of two main characters who fall under the LGBTQIA+ umbrella. Because these identities do not exist as a monolith, and also because this is a book intended for a YA audience, Ooligan chose to incorporate authenticity readers (sometimes called sensitivity readers) into the editorial process.