We’re often faced with the following questions: How do I get it all done? How do I make myself write? In that vein, I’ve compiled a few tips for creating or maintaining productive routines to better face the trials of working in publishing.
Is it really that surprising that our generation is cynical about any analogue workflows when we’ve seen several outmoded in our lifetimes? Unfortunately, it is that exact disillusionment that causes some genuinely useful pre-Y2K skills to be overlooked. Case in point: hand-marked editing.
In Portland, there’s an independent press for every sort of project you can imagine. More importantly, each press has a unique mission statement that will help you, the writer, find the best match for your personal and creative goals. Let this guide to local indie publishing houses help you decide where to submit your next piece.
Everyone has different ways of understanding the world around them, and in order to draw that out for a keen audience, it is necessary for an editor to make all those red lines and to work with the writer to help them dig out their own unique voice.
Built in 1912 and renovated in the 1980s, the hotel has just enough squeak in the stair and just enough musty book smell in the reader’s attic to give bibliophiles the chills. Rooms are categorized as either “Classics,” “Best Sellers,” or “Novels.” Mark Twain’s bust sits over the mantel, Jules Verne’s submarine door clangs shut every evening, and Shakespeare’s room has dueling swords mounted on the wall, just in case. It’s perfect for a writer’s retreat or a solitary writer’s escape, as well as for hosting a reading, a book launch, or a writing workshop. And can we talk about the library?
Do we, the storytellers, have a responsibility to warn our audience about subject matter that could cause that kind of distress? That’s right. I’m talking about trigger warnings.