It is important that designers capture the light-hearted, feel-good nature of a contemporary romance story through its cover design in order to gain the attention of readers.
There have been a lot of changes to consumers’ buying habits since COVID-19 hit the United States in March. It’s too soon to tell how things will pan out in the long run for our buying and selling habits, but it is clear that things will probably never be the same as before the pandemic hit. Here’s an overview of how the publishing industry has transformed over the last few months.
If typography is out in the wild, it will demand your attention whether it’s effective or not. Even unsuccessful attempts at public graphic design grab the observant onlooker’s gaze.
I refuse to believe we can’t move past the paperback designs of the past with their jumble of chunky fonts, strange color palettes, and, dare I say, unappealing illustrations of aliens.
We’ve all heard the saying “don’t judge a book by its cover,” but let’s be honest—everybody does. While the cover design on a book doesn’t necessarily make-or-break the sales of every individual book, it is the first thing a reader notices. Before reading the back-cover blurb or looking up reviews online, the reader’s first instinct comes from their impressions of the cover design.
Regardless of whether Wolff’s book is libel or an accurate portrait of Trump’s White House (my guess is we won’t know for a while), by expediting the pub-date and moving forward with Fire and Fury, Henry Holt was able to do something that’s becoming harder and harder these days—something that the American Association of Publishers holds in high regard: exercising and protecting our First Amendment rights, the backbone of US democracy. And so what if the driving reason behind publishing was to capitalize on a money-making trend? Henry Holt isn’t alone.