It’s normal for films and TV to display warnings and ratings, and even in the publishing industry we sort material into age-appropriate categories based on content and language. Now the discussion is underway about advancing this one step further to include specific content warnings—also called trigger warnings—as we contemplate accessibility and how we can incorporate mental health practices into our work. But what is a content warning exactly, and how does it apply to book publishing? When is it appropriate, and when is it redundant? Is it only the finished, printed book that needs to be properly tagged, or is it important for authors querying out to agents and publishers as well?
trauma
Editing Trauma
By Grace Hansen @thegracieve
William Faulkner said, “In writing, you must kill all your darlings.” A good editor knows that this process is sometimes painful to the author because their words are their babies. How, then, is an editor to approach nonfiction trauma manuscripts when an author’s words are their nightmares?
Marketing a Sensitive Book: Is It Ever Okay?
By McKenna Green
Our team here at Ooligan is working tirelessly to launch our upcoming fall title by debut author Erin Monyihan. In large part, this means working on our marketing strategy. We’ve come across quite a few obstacles regarding our intentions and how we wish to be understood while presenting LAUREL EVERYWHERE.