Imagine you are listening to an audiobook. The story takes place in the South, and you’re immersed in a scene of intense action. Suddenly, you hear the voice actor say “you all,” rather than the “y’all” you have been hearing up until this point. You pause, and suddenly you’re not thinking about the story. You’re removed from the world you spent the past half hour in, and now you’re thinking about the actor, maybe picturing them in front of a microphone, watching them as they make the fatal mistake. It takes you a few moments, and maybe a quick rewind, to get back into the story. How do publishers avoid these mishaps in an audiobook recording?
recording
Recording Audiobooks at Ooligan
By Kaitlin Barnes
Ooligan has decided that it is time to step into the audiobook world. This is an exciting time for Ooligan, as it means we as students now have the opportunity to see just what goes into the creation of this popular format. And our most recent acquisition, a memoir by conscientious objector Rosa del Duca, seems the perfect place to begin when looking at audiobooks.