While this book is in its initial phases, we have to ask ourselves many of the questions Rosa asked herself: Where does it fit in? What message does it convey? Why this book, and why now? How do we want to portray it to the world?
Since being revamped and restructured last April, the Outreach and Project Development team has finally stabilized and secured a solid foundation for its future. We’ve got a lot of experience behind us now and plenty more on the horizon—including the much-anticipated tenth annual Write to Publish conference.
These same celebrities we watch on TV, whose lives seem to be occupied with drama, business ventures, bad grammar, fashion shows, shopping trips, and traveling across the country that you have no choice but to wonder when, if ever, do they find the time to write a 200-300 page novel?
Amid all the excitement of my book deal, having a bit of background knowledge about the inner workings of traditional publishing definitely helped keep me from getting overwhelmed.
With the rise of global warming, natural disasters are becoming more and more common. As a new student to publishing, and as someone that wants to continue in this field, I’m left to wonder how this multi-billion dollar business can help. After the recent hurricanes that have devastated Puerto Rico, the publishing industry is taking a stand to help. #PubforPR (Publishing for Puerto Rico) was an auction held in the wake of hurricane María. Auctioning off everything from signed books to custom artwork, the auction received over 4,500 bids with all donations going toward Unidos por Puerto Rico and ConPRmetidos. This willingness to come together and help led me to wonder what else the publishing industry has done to help with relief efforts.
Opinions are like . . . you know: everybody’s got one. House editing style guides and preferences are no different. Browse through any random collection of imprint house publications, periodicals, or online articles, and you’ll witness a menagerie of guides, including The Chicago Manual of Style (CMOS), the Associated Press Stylebook(AP), and a smattering of personal preferences seemingly chosen at random. The resulting style format can resemble an amalgamation of spare parts—something akin to a Frankenstein’s monster of house style. The curious aspect is the specific, obscure details individual editors decide to take a stand on—the hills upon which they choose to fight and die.