It is an agent’s job to represent your material, get you the best deal, and make sure you’re entering the market at a good time. But, they do more than that. Agents often help authors throughout the entire publishing process, from developing a book to creating a pitch to share with publishers. It’s like having a personal support system from the very beginning.
With so many choosing to listen to books instead of reading the physical copies, it is no doubt the publishing industry has needed to change with the evolving demands of technology and fast-paced culture.
It’s easy to let work and education overwhelm you, especially in this time of isolation we find ourselves in. There are so many things to do in the press, in classes, and in our own lives that we can lose the time we need to, well, take time. It can feel like there aren’t enough hours in the day, or minutes in the hours we get, to just take time for ourselves—but there are when you add boundaries.
What makes an old book new—at least in the eyes of the consumer? Publishers of classic novels face the distinct challenge of marketing books that have already been extensively read, loved, discussed, and marketed. More often than not, publishers are not selling the content of the book—after all, the words are already tried and true—they are selling the experience.
What is the difference between personal branding and professional branding? Why does it matter and when is it better to use one over the other? Let’s start by defining what each one is.
When a copyeditor is entranced in correcting inconsistencies, they can get trapped in suggesting rewrites and spending too much time leaving comments on plot, which is the job of a developmental editor. Sometimes a developmental editor can be so distracted by the grammatical errors that they end up scanning the whole manuscript before proceeding to plot hole corrections.