I wish I had learned about the connection between editing and revising sooner. I fell in love with revision and realized that my passion is in helping other writers create their best work. Revising helped me realize that I want to work in the publishing industry; I just wish these connections were made clearer in high school. I would have realized my passion much sooner.
Misophonia is a condition that affects only about 15 percent of the population, yet understanding the condition and avoiding its triggers has benefits that extend far beyond that narrow demographic.
Writing a story takes blood, sweat, and tears, and the process of revising one’s own work takes time and dedication. All this hard work culminates in a promising manuscript, but in order to achieve the most success, a manuscript needs the attention of a professional editor. To receive the best editing, it’s important to know what to ask for—and that requires knowing the levels of editing offered.
For many aspiring freelance editors, proofreading is the best (and in some cases, the only) way to get a foot in the door. But what are proofreaders actually looking for?
Unlike copyediting, which focuses purely on the text, proofreaders engage with the book after the interior has been designed and laid out. That means that in addition to keeping an eye out for egregious grammar errors and typos, the proofreader is focused on aesthetics: eliminating typographic gaffes such as widows, orphans, and runts; marking bad breaks and word stacks; and ensuring design elements such as subheads and running heads are handled consistently.
Ultimately, each kind of editing can mean different things to different editors. But even when you have the lines between the various types of editing more clearly defined, certain styles of editing can bleed over between types and others cannot. It all depends on timing and the needs of the manuscript or publishing house.