Short-format poetry has made a serious splash on the literary scene by use of social media. Platforms such as Instagram, Twitter, YouTube and Tumblr are giving writers immediate international visibility. These writers are self-published, with full control of their own media presence. And unlike any other generation, we’re seeing a more interactive aspect of poetry, as writers have the ability to directly connect with their audiences and receive instantaneous feedback.
Since being revamped and restructured last April, the Outreach and Project Development team has finally stabilized and secured a solid foundation for its future. We’ve got a lot of experience behind us now and plenty more on the horizon—including the much-anticipated tenth annual Write to Publish conference.
Here’s a quick reading guide—and thank heavens it’s a non-election year—for #summerreading in 2017.
It’s rare for me to come across a fellow poetry lover these days who isn’t some flavor of English. Poetry gets a bad rap for being esoteric, obtuse, unnecessarily complicated or convoluted, or pretentious. I’m not here to say that poetry like that doesn’t exist (just as there is prose that carries these not so […]
Forgive the assumption, but it seems like a pretty safe bet that you, dear Ooligan-blog reader, are the sort of person who spends a not-insignificant amount of time exploring physical and digital bookshelves in search of the next book to add to your “To Read” stack. If you’re anything like me, your approach to this […]
In the world of publishing, poetry is one of those areas where bigger is not better. Poems rarely excite the interest of the general readership, and as such, the major publishing houses will usually decide that any given book in the genre is simply not worth their time, effort, or money. After all, when was […]