This particular teaching press is Ooligan, and at Ooligan, there is no such thing as sink or swim (even if the first day feels a little like being pushed face-first into the deep end). So sit back and relax while I lay out some sage advice on how to negotiate this crazy, awesome journey of experiential learning.
I’ve only ever applied to two colleges in my life. Which, if you know me at all, will seem like a drastic deviance from my general personality. You might say, based on this knowledge, that I’ve “always known what I want to do” or that I’m “really good at making decisions.” The first one less than the second but really, neither apply.
The compilation edit is unique to the operations of our teaching press, but coordinating this type of edit has been an invaluable learning experience for me as an editing professional. Editorial work is often more of a flexible art than a task that follows a standard procedure, as there are many ways to work with an author to bring out the best in their work.
A book’s cover and title are the first two things that a person comes in contact with, and thus are the first clues as to what that book is about. A good title and cover both need to accurately convey the content while also making it easier for the reader to figure out the general genre and topics covered as well as make it stand out from others in its genre at the same time. That’s a tough order to fill! Here’s how the team for the upcoming Spring 2019 title is handling this part of the process.
We’ve all heard the saying “don’t judge a book by its cover,” but let’s be honest—everybody does. While the cover design on a book doesn’t necessarily make-or-break the sales of every individual book, it is the first thing a reader notices. Before reading the back-cover blurb or looking up reviews online, the reader’s first instinct comes from their impressions of the cover design.
The saying is “don’t judge a book by its cover,” but the truth is, we all do—and we’re actually supposed to. Someone designed that cover with specific intentions for you, the reader, to pull the book off the shelf and take a closer look. If I think about it too hard, I realize how shallow and materialistic I am as a reader and how hard a cover has to work just to get me to pick it up. My recent interest in cover design has to do with a challenge I’m undertaking this year to read at least thirty books with a main character who would be classified as a minority in America. Finding books that show this diversity on the cover is actually a lot more difficult than I expected.