Connie King Leonard is the author of Sleeping in My Jeans, a YA novel about a teen girl who has to live out of her car with her mother and young sister. I had the pleasure of sitting down with Connie to discuss what inspired her to write a book about being homeless, what message she hopes it will send, and the unique protagonist at the center of it all—Mattie Rollins.
I had the privilege of sitting down with John Henley, a well-known appraiser of rare books in the Pacific Northwest. He has also been an adjunct of the PSU Book Publishing Program since its inception, teaching the survey course titled The Popular Book in the United States. We talked about his job as appraiser, his Oolie aspirations, and how his love of books—inspired early on by his mother—led him to a career of buying and selling them for Powell’s and The Great Northwest Bookstore.
The benefit of placing an editing team on location isn’t something that is readily apparent, as it is difficult to measure an increase in authenticity, quality, and design acuity during a production process that lasts more than a year. But if one were to observe an At the Waterline meeting, they’d notice certain camaraderie that can only come from collective experience. They’d hear of the abundance of creative and extraordinary ideas that have gone into At The Waterline’s production. A lot of big ideas are coming from that tiny team.
At the end of every winter term, students at Ooligan Press have the opportunity to become project managers (PMs) and department leads, and a year later, they must pass the torch to next year’s students. As managers are currently in the process of training their successors, three departing project managers reflect on the challenges and achievements throughout their tenure and give advice to future Ooligan PMs.
Tony Perez, acquiring editor at Tin House, talks through his editorial process: from first acquiring a manuscript, to developing, editing, and eventually publishing it. Perez touches on the hardest parts of the editorial process, the not-so-glamorous takes of an editor—negotiating his daily tasks and tight deadlines, the late night panicked emails, and the back and forth. He likens it to putting out a series of small fires. But he also explains the moments that make it worth it, from his team at Tin House and his relationships with writers, to obtaining the right manuscript and seeing its potential realized.
Recently, I was honored to conduct an interview with Brian K. Friesen, one of Ooligan Press’s newest authors, about his experience editing his manuscript with Team Rivers. Editing is one of the most intimidating and misunderstood areas of the publishing industry for aspiring writers, and Brian was happy to help demystify the process for those who are apprehensive or curious.