Sheila E. Gilbert is just one example of how successful editors do things in the world of publishing. It is a treat to get into the mind of an award-winning editor, since most editors are very private and it’s difficult to find information on them. But they are the wizards who bring the best books to the market.
Ooligan Press considers every position a learning opportunity, and rarely contracts freelancers. Indexing might have necessitated that rare outsider if weren’t for Kento Ikeda, resident indexer, ebook designer, and rising star of our digital department. As he finished the index for our hiking book 50 Hikes in the Tillamook and Clatsop State Forests, I conducted a short survey with Kento to get his take on the duties that fell to him, and how he regards his work in the scope of Ooligan Press.
Ooligan author Brian K. Friesen made an audiobook for At the Waterline, and we got the chance to hear about his process and the exciting results!
Connie King Leonard is the author of Sleeping in My Jeans, a YA novel about a teen girl who has to live out of her car with her mother and young sister. I had the pleasure of sitting down with Connie to discuss what inspired her to write a book about being homeless, what message she hopes it will send, and the unique protagonist at the center of it all—Mattie Rollins.
I had the privilege of sitting down with John Henley, a well-known appraiser of rare books in the Pacific Northwest. He has also been an adjunct of the PSU Book Publishing Program since its inception, teaching the survey course titled The Popular Book in the United States. We talked about his job as appraiser, his Oolie aspirations, and how his love of books—inspired early on by his mother—led him to a career of buying and selling them for Powell’s and The Great Northwest Bookstore.
The benefit of placing an editing team on location isn’t something that is readily apparent, as it is difficult to measure an increase in authenticity, quality, and design acuity during a production process that lasts more than a year. But if one were to observe an At the Waterline meeting, they’d notice certain camaraderie that can only come from collective experience. They’d hear of the abundance of creative and extraordinary ideas that have gone into At The Waterline’s production. A lot of big ideas are coming from that tiny team.