I worked as an editorial intern at Dark Horse Comics in Milwaukie, Oregon, during PSU’s winter term this year, and while I was there, I ended up learning more than I ever anticipated. In my previous post on my time at the Dark Horse offices, I focused on explaining DHDPs and work orders. In this entry, I’ll continue my detailed look into what exactly a comics editor does, and I’ll focus on two more editorial tasks: creating bookmaps and comp lists.
Internship
Interning as an Oolie
By Stephen Hyde
The best thing about the Ooligan Press graduate program, as I am sure you are aware, is the opportunity every student has to work on and publish actual books. This experience is what helps set Ooligan apart from other programs, and it sets the students up for success. While I haven’t yet experienced how the skills learned at Ooligan can be applied to full-time publishing jobs, I can speak to how Ooligan has helped me with my time as an intern.
The World Outside of Publishing: Translating Skills from Ooligan to Elsewhere
By Dory Athey doryathey
Today at 1:00 p.m., I sat in Book Editing listening to a zealous defense of a comma resting innocently (or not so innocently) between two clauses. Were the clauses independent? Was the comma grammatically unnecessary but useful in improving clarity? There are moments like these in this program (even as I study to become an […]
Strengthening My Skills by Interning with Hawthorne Books
By Sarah Currin
In this program, the importance of internships is something that we students are constantly reminded of (though of course this is not isolated to the publishing industry—many graduate programs not only encourage extracurricular internships, but require them). We’re told that internships are an invaluable way to meet important industry professionals for networking purposes and gain […]