Picture books have evolved over time to serve different agendas, from educational, such as teaching the alphabet, to more “edgy” topics in recent years, such as tackling what it’s like to be a child of divorce. With every change, however, one thing remains consistent: the design of a children’s book must keep a child interested and entice them to turn the page.
Whereas fine art (such as illustration) looks inward by asking the viewer to see the artist behind the art, graphic design looks outward by asking the viewer to see the art and go do something because of it. While these two concepts overlap in places, the purpose of each is very different.
It’s the dawn of the publishing GIF. If you pay enough attention, you’ll be able to feel it in the air: the buzzing, looping electricity that knows no bounds. It uses ebooks and the internet to infiltrate our homes and our minds, and once there, it stays and lays low, playing over and over and over again until it’s time. And, my friends, it is almost time.
If you’re of the bookish persuasion (and if you’re reading this blog post, the odds are probably good), you may also be of the mappish persuasion: when you pick up a book and discover it contains a map, a little piece of you erupts in excitement over this double-page spread that promises a literary quest is waiting inside.
Within just a few weeks of each other, two comics-related events were held this spring in Seattle and Portland, offering different opportunities for fans and creators alike to celebrate nerd culture and embrace comic art and illustration. As a comics fan and editor, I was excited to have easier access to comics conventions after moving […]
In the world of publishing professionals, the graphic designer and the illustrator are finding that their skill set is being outsourced more and more often. Publishing houses are finding that they have access to a larger pool of potential talent than ever before through their online sources, and with the growing popularity of art-share sites […]