On the publishing side of business, communicative relationships can determine the success of book sales, the continuing care for an author, future partnering decisions, and much more. Nurturing the relationship that is forged between author and editor, publisher and reviewer, and so forth is important as these forces are what can help you, not just in the moment, but in the future as well.
Although editors are a notoriously introverted bunch, we all stand to benefit from a little social connection. What happens when you run into a truly perplexing problem—be it a difficult client or a questionable comma—and you need to turn to other editors for advice? Where can editors go to receive mentoring and swap war stories? This post outlines some of the ways in which editors can connect with each other—virtually as well as in person—in order to grow as professionals and build a sense of community.
Words have power, and the way fictional stories about mental health are told can have just as crucial of an impact on readers as facts presented in news outlets. Editors have the responsibility to put forth stories that promote a respectful and authentic perspective on mental health, and below are four practices they can implement to achieve this goal.
Though style sheets can seem confusing at first, they are among the most important tools at a copyeditor’s disposal. As long as you keep your style sheet organized and record all of your decisions related to mechanics and style, you should be all right. (Or is it “alright”? Better check the style sheet.)
Is it really that surprising that our generation is cynical about any analogue workflows when we’ve seen several outmoded in our lifetimes? Unfortunately, it is that exact disillusionment that causes some genuinely useful pre-Y2K skills to be overlooked. Case in point: hand-marked editing.
Although editing might seem straightforward, there is a greater difference between traditional editing done for novels and written work than editing for comics than one might think.