Not all great hits in the world of publishing and storytelling start off with a bang. In fact, many well-known authors had ideas upon ideas for their stories, characters, and voices that were scrapped before their final drafts were produced—final drafts that might be surprising in comparison to the original ideas from which they developed.
Knowing how to choose an editor can be difficult, and it is important to find a good match. Online editing sites offer an accessible option for quickly getting a book edited, which can be an alluring prospect. Why shouldn’t you pick online editing?
Ultimately, each kind of editing can mean different things to different editors. But even when you have the lines between the various types of editing more clearly defined, certain styles of editing can bleed over between types and others cannot. It all depends on timing and the needs of the manuscript or publishing house.
I sat next to a woman on a cross-country flight who read Fifty Shades of Grey from cover to cover with such rapt attention that she didn’t respond to the flight attendant. When we landed, the woman looked confused and not too happy to step back into real life. She collected her things with the glazed, glassy eyes of the fictive spell.
Although editing might seem straightforward, there is a greater difference between traditional editing done for novels and written work than editing for comics than one might think.
The compilation edit is unique to the operations of our teaching press, but coordinating this type of edit has been an invaluable learning experience for me as an editing professional. Editorial work is often more of a flexible art than a task that follows a standard procedure, as there are many ways to work with an author to bring out the best in their work.