Given that there is overlap between the different stages of editing, and the fact that some smaller presses forgo line editing altogether, why should we even care about it? It’s a legitimate question. I think the line edit holds an important place in the publishing process, even if it doesn’t get the benefit of being a distinct procedure.
These are the opening stages of grief that you may go through when receiving a developmental edit on your manuscript. But don’t worry. You’re not alone.
Not too long ago, I met with a talented author friend of mine for coffee. Since grad school seems to occupy nearly every free second of my life, it didn’t take long for the conversation to move to editing. After discussing my nerves over taking over the editorial manager position for Ooligan, I quickly found myself nodding sympathetically as my friend discussed editors she’s worked with in the past—both good and bad.
Lots of exciting developments in the past few weeks! Allison has been working diligently on a variety of projects, and making great progress. It’s the author’s responsibility to contact the owners of intellectual property that he or she has put in the manuscript (direct quotes, for example) in order to gain permission to use it. […]
Trout Frying in America is on a super fast publication track, so we’re making the most of the time we have while Allison is working on the developmental edits we suggested. As soon as our developmental letter was sent, we started thinking about other logistics we could take care of in the meantime. One of […]
by Mary Breaden In 1976, the same year that Seal Press was founded as an independent publisher of books “by women, for women,” the first class of women was inducted into the United States Naval Academy, Barbara Walters was named the first woman co-anchor of the nightly news, and a record number of women authors […]