While editing might seem quite straightforward at first, the process must be flexible based on the manuscript, the genre, and the press. In this post, I’ll be giving a little bit of insight into how books are edited here at Ooligan, since we do things a little differently.
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Recommended Reading for Editors
By Erin Bass
This hot new track (read: listicle [still hot and new]) is for the editors out there. So, editors, grab that special style manual or manuscript and head to the dance floor (or, more appropriately, your desk)—we’re about to break it down for you with a sweet little recommended reading list. Oh, yeah.
Better to Split Infinitives than Hairs
By Kelly J. Hogan @dervilia8
Maintaining the attitude of a descriptivist rather than a prescriptivist when editing, particularly for fiction and memoir, is crucial to preserving an author’s voice.
Proofreading Season
By Hilary Louth
Proofreading season is upon us at Ooligan Press. Really, that’s a bit of a misnomer—it’s not every year that all of the proofreading tasks align the way they have this winter. But align they have; we are rereleasing the ebook editions of Tony Wolk’s Abe Lincoln Trilogy just in time for Presidents’ Day, which means we have all three books that need to be proofread. We are also proofreading the ebook version of 50 Hikes (which publishes March 1!) and have just wrapped up on a proofread of Three Sides Water.
Line Editing: The Last Great Publishing Mystery
By Rachel Lulich @rmlulich
Given that there is overlap between the different stages of editing, and the fact that some smaller presses forgo line editing altogether, why should we even care about it? It’s a legitimate question. I think the line edit holds an important place in the publishing process, even if it doesn’t get the benefit of being a distinct procedure.
The Importance of Tone in Editing
By Hilary Louth and Lisa Hein
What tone to use when writing a letter to an author or making queries on their manuscript is often one of the most crucial yet most challenging parts of an editor’s job. There are many factors to consider: Where are you at in the editing process? Are you speaking to the author directly, or are you addressing a senior editor? Is this the author’s first novel, or are they more experienced? With so many factors to juggle and so many tiny nuances, it’s no surprise that this is the area that trips up most novice (and sometimes more senior) editors.