Some publishers that don’t typically focus on comics sometimes include one or two in their catalog, so even if you’re not looking to specialize in comics editing, it can be useful to know how to handle a comic if it comes across your desk.
I worked as an editorial intern at Dark Horse Comics in Milwaukie, Oregon, during PSU’s winter term this year, and while I was there, I ended up learning more than I ever anticipated. In my previous post on my time at the Dark Horse offices, I focused on explaining DHDPs and work orders. In this entry, I’ll continue my detailed look into what exactly a comics editor does, and I’ll focus on two more editorial tasks: creating bookmaps and comp lists.
Although editing might seem straightforward, there is a greater difference between traditional editing done for novels and written work than editing for comics than one might think.