The last time you heard from the Ocean in My Ears team, we were busy copyediting the manuscript. Well, now the copyediting is finished, and we have since turned our attention to the cover. Like many of our projects at Ooligan Press, this was a collaborative effort. Taylor Farris came up with the original concept for the cover that featured a watercolor splash, a denim textured font, and a clean aesthetic; Leigh Thomas built upon this design, adding the mountains and the reflection, as well as fine-tuning the details; and Riley Pittenger hand drew the illustrated car. Needless to say, the result is a cover that is more than the sum of its parts, but let’s go ahead and take a closer look at some of those parts anyway.
Every time someone says “don’t judge a book by its cover,” I cringe. This clichéd phrase implies that the cover of the book is useless in discerning what the book is about and that the cover has no other use than to “cover up” the pages within. The phrase was quite popular in my youth, and I recall being reprimanded by friends any time I turned down a book because I thought the cover was subpar. For years I felt guilty about being so judgmental—until a classmate introduced me to the work of Graphic Designer Chip Kidd.