Numerous instructors of writing share the same advice when it comes to editing: resist the urge to edit while you write! Just get your ideas out, flesh them out, and worry about the fine points of editing later. But despite the numerous voices in your head and from those around you pleading for you to resist the temptation, is this really the best advice in any and every situation?
As a self-published author, it may be intimidating to start with all of the online outlets claiming they can make your book the next bestseller. After all, you’re a writer, not a designer. To help make the process a little less intimidating, here is a brief list of options that can give your book the beautiful face it deserves.
Ooligan author Brian K. Friesen made an audiobook for At the Waterline, and we got the chance to hear about his process and the exciting results!
As the publishing industry evolves, media and publishing independents have witnessed the dissolution of the full-time copy editor. Among magazine, news media, and book publishing entities, an in-house copy chief is often considered a luxury of days gone by. The expense of the full-time position is often too difficult to justify, and the responsibility of clean copy can fall on in-house production teams.
Maintaining the attitude of a descriptivist rather than a prescriptivist when editing, particularly for fiction and memoir, is crucial to preserving an author’s voice.
These same celebrities we watch on TV, whose lives seem to be occupied with drama, business ventures, bad grammar, fashion shows, shopping trips, and traveling across the country that you have no choice but to wonder when, if ever, do they find the time to write a 200-300 page novel?