In a previous blog post, we discussed how editors in the comic book industry have their work cut out for them. While they’re certainly not the only type of editor who deals with multimedia editing, comics and graphic novel editors face unique challenges compared to those who deal with more traditional texts like children’s books or even textbooks. One of the key differences in this type of editing is that graphic novels utilize sequential art to tell the story. While other editors still have to look at whatever images they’re using, comics editors need to pay equal or even greater attention to the art.
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Wait, There’s a Difference? Book Designers vs. Illustrators
By Jenny Kimura
Whereas fine art (such as illustration) looks inward by asking the viewer to see the artist behind the art, graphic design looks outward by asking the viewer to see the art and go do something because of it. While these two concepts overlap in places, the purpose of each is very different.
Rehousing History: Finding a New Home for Our 1885 Chandler & Price Letterpress
By Elizabeth Hughes @elizabig
Last term, boxes were meticulously packed and labeled for either our temporary office or deep storage. Some supplies even lived in managers’ cars during the winter break. There was one item, however, that needed special attention: our 1885 Chandler & Price letterpress.
Green Book Design: Economy of Length for The Wax Bullet War
By Paul Dudley
Last year, Ooligan Press entered the ranks of publishers that are certified by the Green Press Initiative. GPI is a program that rewards publishers for making the environmentally responsible decision to commit to reducing their carbon footprint according to specific benchmarks and to producing books using FSC-certified paper. The certification levels that GPI offers are […]