What’s the best way to design a book cover for a genre you aren’t familiar with? What if it goes wrong, despite your best efforts?
Alaska
Start to Finish: Iditarod Nights
By Dani Nicholson @danielluhh72
The process of publishing Ooligan’s second title from the Multnomah County Library Writers Project continues! IDITAROD NIGHTS by Cindy Hiday will launch in April 2020, and we can’t wait for you to read it. This action-packed romance takes place in Alaska and follows a budding relationship between Claire Stanfield and Dillon Cord, two mushers racing on the Iditarod Trail.
Editing Historical Fiction Content: Issues of Trademark Violation
By Sarah Loepp
When is it acceptable to mention a brand, and when does it cross the line into trademark infringement? This issue comes up often in historical fiction texts when the author wants to mention an item or company to help secure the storyline in time and place. When placed appropriately, such references add authenticity to the work. There are a few primary concepts to keep in mind as you approach trademarked brands and items.
The Ocean in My Ears Book Launches with 90s Trivia
By Emily HagenBurger @ehagenburger
A book’s launch party should reflect the content of the book and the personality of its writer; it should be a celebration of all the hard work that went into creating the book and is seen as the culmination of all of that hard work…so, no pressure, right?
Alaska in the 90s: Get Ready to Hear More About THE OCEAN IN MY EARS on Social Media
By Emily HagenBurger @ehagenburger
p>We’re also lucky that the novel itself is a treasure trove of hilarious lines, mostly from its protagonist, 17-year-old Meri Miller. Take this, for example: “Alaska’s like two thousand miles away from anywhere cultured. No offense, Canada.” Keep an eye on Ooligan’s social media profiles this summer and fall to hear more about the upcoming The Ocean in My Ears.
A Haiku of the Story
By Margaret Henry
The last time you heard from the Ocean in My Ears team, we were busy copyediting the manuscript. Well, now the copyediting is finished, and we have since turned our attention to the cover. Like many of our projects at Ooligan Press, this was a collaborative effort. Taylor Farris came up with the original concept for the cover that featured a watercolor splash, a denim textured font, and a clean aesthetic; Leigh Thomas built upon this design, adding the mountains and the reflection, as well as fine-tuning the details; and Riley Pittenger hand drew the illustrated car. Needless to say, the result is a cover that is more than the sum of its parts, but let’s go ahead and take a closer look at some of those parts anyway.