As an author, do you need to worry about an influx of reviewers leaving one-star reviews on your book, tanking your average rating, and potentially pushing away potential readers?
Graphic design is so much fun. There is so much you can do in this space, just within the context of book publishing alone. From print to digital, there’s no end to what you can create. Because it is such a vast and interesting area, a lot of people want to try it out, but they hesitate because they don’t have any formal art training. I get it—I’ve been there. There is a lot of overlap between art and graphic design, as they require a lot of the same skills and an understanding of concepts like space, color, lighting, etc. But, while having a working knowledge of these when you start is helpful, it’s not required.
Everyone has been there, the end of the term is fast approaching and all of those papers and final projects you had noted on the syllabus as being months away are fast becoming a reality. All of those problems that future self was going to deal with are quickly becoming yours.
As I sat at my laptop describing the events my imagination had concocted, I noticed an unfortunate problem. I was a mediocre writer. My prose suffered from several bad writing habits. After climbing out of the pit of despair with a renewed sense of determination, I decided to break them.
The most important thing to remember about an editor, is that they are people too (no, they are not perfect); they do have feelings. Having to deal with the stigma surrounding their profession, as well as their actual work, can be pretty overwhelming. Shouldn’t authors want to be helpful, especially for someone they will be working so closely with? Newsflash: you CAN make your editors life easier! Here is some advice that will allow you (as a writer) to ease the weight on your editor’s shoulders.
As the publishing industry evolves, media and publishing independents have witnessed the dissolution of the full-time copy editor. Among magazine, news media, and book publishing entities, an in-house copy chief is often considered a luxury of days gone by. The expense of the full-time position is often too difficult to justify, and the responsibility of clean copy can fall on in-house production teams.