In Portland, there’s an independent press for every sort of project you can imagine. More importantly, each press has a unique mission statement that will help you, the writer, find the best match for your personal and creative goals. Let this guide to local indie publishing houses help you decide where to submit your next piece.
- Tin House: Although they were part of the literary world for years beforehand, Tin House officially became an independent press in 2005. Tin House publishes fiction, nonfiction, and poetry, as well as out-of-print and underappreciated books. Titles include Ursula K. Le Guin: Conversations on Writing by David Naimon and Ursula K. Le Guin, Pretend We Are Lovely by Noley Reid, and Mostly Dead Things by Kristen Arnett.
- Overcup Press: Overcup specializes in nonfiction books with a strong design element, including books on travel, art, literary nonfiction, and design, as well as epicurean titles. Their titles include Volcanoes, Palm Trees & Privilege: Essays on Hawai’i by Liz Prato, 99 Ways to Make a Pipe: Problem Solving for Pot Smokers by Brett Stern, and The Tall Trees of Portland by Matt Wagner.
- Perfect Day Publishing: Perfect Day Publishing has been an indie press in Portland since 2011. They focus on emotional stories in the form of literary nonfiction, essay collections, and memoir. Titles include Stranger in the Pen by Mohamed Asem, What About the Rest of Your Life by sŭng, and Yeah. No. Totally. by Lisa Wells.
- Microcosm Publishing: Microcosm Publishing began as a record label in 1996 and has transformed into a press that focuses on building skills, exposing hidden stories, and fostering creativity through nonfiction books and zines about self-improvement, gender, and social justice. Recent titles include Chainbreaker Bike Book: An Illustrated Manual of Radical Bicycle Maintenance, Culture, and History by Ethan Clark and Shelley Lynn Jackson, Coping Skills: Tools & Techniques for Every Stressful Situation by Faith G. Harper, and The Practical Witch’s Almanac 2019: Expanding Horizons by Friday Gladheart.
- Forest Avenue Press: Forest Avenue Press was founded in Portland in 2012 and largely publishes adult literary fiction related to Oregon and the surrounding area, focusing on works that involve activism or that put new twists on fairy tales and folktales. Titles include Parts Per Million by Julia Stoops, Queen of Spades by Michael Shou-Yung Shum, and The Hour of Daydreams by Renee Macalino Rutledge.
- Future Tense Books: Future Tense Books began in Spokane, Washington, in 1990, briefly moved to Arkansas, and settled in Portland in 1992. This press focuses on publishing the work of groundbreaking authors in the form of novellas, story collections, and novels that go in unexpected directions. Titles include I Don’t Think of You (Until I Do) by Tatiana Ryckman, Liar: A Memoir by Rob Roberge, and Pretend We Live Here by Genevieve Hudson.
- Burnside Review: Burnside Review, formed in 2004, puts out a journal issue every 9–12 months in addition to publishing full-length books of poetry and chapbooks through their contests. When their submissions are open, they accept fiction and poetry to be published in their journal. Titles include Such a Thing as America by Sarah Blackman, The Volunteer by Andrew McAlpine, and MEOW by Mark Baumer.
And, of course, there’s our very own student-run Ooligan Press.