Microcosm, an independent publishing house in Portland, announced in July 2018 in Publishers Weekly that it will be taking back control over its distribution for the press. The book and zine publisher, which was previously distributed by PGW/Ingram, decided to keep distribution efforts in-house and off the shelves of the large chains, starting in 2019. In the spirit of self-distribution, as inspired by Microcosm, here are some tips for hand-to-hand sales in publishing.
During the cooler months here in the Pacific Northwest, many of us can be found taking refuge indoors from the harsh weather raging outside, bundled in layers of sweaters or (comfortably, safely) smothered under blankets. And, if you’re anything like me, your reading list and Netflix queue are dwindling as you burn through them faster than logs in a fireplace. Fear not, my chilly children, for I have compiled yet another list, this time to help you fill those drizzly, blizzardy, blustery days. Following are my suggestions for how to pair some Ooligan Press titles with documentaries.
Since 2015, from mid-October to mid-December each year, Multnomah County Library accepts submissions from local authors who would like to see their work added to the library’s e-book collection. Now, through this partnership, selections from the Library Writers Project will be traditionally published by Ooligan press—joining the forces of local authors, a local library, and a local publisher to help our literary community as a whole flourish into the future.
Why does everything someone writes have to be entirely original anyway? Writing is fun and it’s a craft one must practice to master.
The first step was to pick a font; this was not an easy task as there are literally millions of fonts out there. Luckily I was restricted to choosing from the hundreds that Ooligan already has the rights to. So I browsed through hundreds of fonts, tried out a couple dozen, printed out eight, then finally sent in five.
If that’s the case, why does nonfiction allow something as unreliable as memories? The idea is that the writer is truly recounting the memory, not whether or not it actually occurred. The experience is born out of the memory of the event. A memoir is a recounting of memory. It has to be a truthful recounting of only what’s remembered and what is researched.