This hot new track (read: listicle [still hot and new]) is for the editors out there. So, editors, grab that special style manual or manuscript and head to the dance floor (or, more appropriately, your desk)—we’re about to break it down for you with a sweet little recommended reading list. Oh, yeah.
Becoming a conscientious objector isn’t simply saying no to war and walking away. It’s a complicated decision shrouded in public shaming, and for Rosa, a decision not made lightly. Her memoir gives us a glimpse into the female military experience and the effects 9/11 had on our young recruits.
As I sit on the MAX on my way into Portland, I flip through the pages of my beat-up copy of Walt Whitman’s Leaves of Grass. Every few stops, I find myself glancing up from the pages to look around at the passengers who are coming and going from the train on its way into the city. I notice an older man is fast asleep while the woman next to him stares out the window, a mother reties her son’s shoes, and a young man in a college hoodie taps his feet to the beat of whatever tune must be playing in his headphones. While I flip another page, I notice that I’m the only passenger in the car who is reading a book, while the majority of other passengers keep their eyes glued to their phones.
In today’s increasingly digital world, there is no shortage of tips and tricks for writers (think of online grammar checkers like Grammarly). But what about digital tools for editors? In addition to the obvious editing and query tools found in Microsoft Word, it turns out that macros can be incredibly useful tools for editors.
Do we, the storytellers, have a responsibility to warn our audience about subject matter that could cause that kind of distress? That’s right. I’m talking about trigger warnings.
Have you finished writing your book and want to make it into an ebook but don’t even know where to start? Start here! In this post, I will define some common terms and link to some resources where you can learn more.