Future Titles

Close is Fine Polaroid by Eliot Treichel, Fall 2012

Close is Fine Front Cover

Rural Wisconsin. A rivalry between lumberjacks spawns a legend. An old man’s dangerous encounter with a bear cub wakes him up. A man’s substandard work on his house mirrors his halfhearted attempts to repair his marriage.

Life’s private reflections, big and small, shape and define the characters in Eliot Treichel’s debut short story collection. Rural Wisconsin—the lonely, aching expanse of quiet isolation—doubles as a metaphor for the characters who yearn for a closeness in personal relationships that is just out of grasp. A rivalry between lumberjacks reaches a sticky end. A man’s substandard work on his house mirrors his halfhearted attempt to fix his marriage. A little girl’s valorous rescue of mice is lost on her unsentimental father. High school soccer teams, bear cubs, dog sledding—all are masterfully woven together in a landscape that becomes a character in itself. Treichel expertly captures the voice of the individual, allowing any individual, anywhere, who has felt the inescapable pangs of loneliness, to connect to his characters’ aching hearts and quiet plights.






















Alive at the Center Front Cover
Pacific Poetry Project Logo

The Pacific Poetry Project’s first volume, Alive at the Center, aims to capture the thriving poetic atmosphere of the Pacific Northwest.

It concentrates on the three major cities that define it—Portland, Seattle, and Vancouver B.C. This anthology, compiled and edited by an outstanding poet from each city, is a cultural conversation among the unique urban communities whose perspectives share more than just a common landscape. Alive at the Center features distinctive, contemporary poets who speak to the individual spirits of these Pacific Northwest cities.